The design concept designated new areas of development and proposed new residential facilities, service facilities, residential and service facilities, and a service centre – the Music Centre.
The proposed housing, as well as housing and services development, that completes the blocks, makes reference, as regards form and dimension, to the existing tenement and block development. The rhythm of the vertical divisions of the facade, the varing height of individual objects, as well as the shape and cover of the roofs, have been maintained while keeping with the contemporary decor of the facade and modern detail.
The principal design goal was to open the newly designed buildings of the Music Centre to the surroundings. Specifically shaped cubes “push into” the surrounding landscape and glazed facades reflect the environment, multiplying the effect of visual openness by ensuring contact with nature.
Cohen and Christiansen’s information theory states that architectural expression should be understood as an aesthetic value that acts on the recipient through completely immeasurable information, perceived through the recipient’s thoughts, feelings and experiences (linked to the emotional excitation triggered within the recipient). Therefore, following the above train of thought, one can be tempted to say that the art of creating architecture is the ability to create a work of art (sculpture) with all the related consequences. Both architectural and music compositions are characterised by the highest level of abstraction, and thus the two areas may go without projecting reality, which more or less means that flexibility and non-figurativeness in the creation of form is the most certainly permitted in both cases. Compositional and architectural design is an attempt to create a distinctive artistic garden inside urban tissue, being a stand-alone entity in the architectural context on the one hand and, on the other, a well-functioning organism in the social, economic and functional aspects.
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